What are the greatest films of all time?
Archive for March, 2010
Raging Bull is a 1980 American biographical film directed by Martin Scorsese
Mar 19th
Beginning in 1964, where an older and fatter Jake LaMotta (Robert De Niro) practices his stand-up comic routine, a flashback shifts to his boxing career in 1941 against his opponent, Jimmy Reeves, in the infamous Cleveland bout. Losing the fight by a fixed result causes a fight to break out at the end of the match. His brother Joey LaMotta (Joe Pesci) is not only a sparring partner to him but also responsible for organizing his fights. Joey discusses a potential shot for the title with one of his Mafia connections, Salvy Batts (Frank Vincent), on the way to his brother’s house in their neighborhood in the Bronx. When they are finally settled in the house, Jake admits that he does not have much faith in his own abilities.
Accompanied by his brother to the local open-air swimming pool, a restless Jake spots a 15-year-old girl named Vickie at the edge of the pool (Cathy Moriarty). Although he has to be reminded by his brother he is already married, the opportunity to invite her out for the day very soon comes true when Joey gives in. Jake has two fights with Sugar Ray Robinson, set two years apart, and Jake loses the second when the judges rule in favor of Sugar Ray because he was leaving the sport temporarily for conscription in the US ARMY. This does not deter Jake from winning six straight fights, but as his fears grow about his wife, Vickie, having feelings for other men, particularly Tony Janiro, the opponent for his forthcoming fight, he is keen enough to show off his sexual jealousy when he beats him in front of the local Mob boss, Tommy Como (Nicholas Colasanto) and Vickie. The recent triumph over Janiro is touted as a major boost for the belt as Joey discusses this with journalists, though Joey is briefly distracted by seeing Vickie approach a table with Salvy and his crew. Joey has a word with Vickie, who says she is giving up on his brother. Blaming Salvy, Joey viciously attacks him in a fight that spills outside of the club. When Tommy Como hears that the two of them rose fists in a public place, he orders them to apologize and tells Joey that he means business. At the swimming pool, Joey tells Jake that if he really wants a shot, he will have to take a dive first. In the fight against Billy Fox, Jake does not even bother to put up a fight. Jake is suspended from the board on suspicion of throwing the fight, though he realizes the error of his judgment when it is too late. This does little to harm his career, when he finally wins the title against Marcel Cerdan at the open air Briggs Stadium.
Three years pass and Jake asks his brother if he fought with Salvy at the Copca because of Vickie. Jake then asks if Joey had an affair with his wife. Joey refuses to answer and decides to leave. Jake decides to find the truth for himself, interrogating his wife about the affair when she sarcastically states that she had sex with the entire neighborhood (including his brother, Salvy, and Tommy Como) and “sucked his brothers cock” after he knocks down the bathroom door where his wife is briefly hiding from him. Angrily walking straight towards Joey’s house while Vicki tries to stop him. Jake enters Joey’s house and brutally assualts him in front of Vicki and Joey’s wife and children. Defending his championship belt against Laurent Dauthuille, he makes a call to his brother after the fight, but when Joey assumes Salvy is on the other end, Jake says nothing. This drags Jake down to when he eventually loses to Sugar Ray Robinson on their final ( very violent) encounter, letting Sugar Ray land several hard blows on him as punishment for what he did.
A couple of years later, in the middle of a photo shoot, Jake LaMotta surrounded by his wife and children, tells the journalists he is officially retired and that he has bought a new property. After staying out all night at his new nightclub in Miami, Vickie tells him she wants a divorce (which she has been planning since his retirement). Arrested for introducing under-age girls (posing as 21-year-olds) to men, he serves a jail sentence after failing to raise the bribe money by taking the jewels out of his championship belt instead of selling the belt itself. In his jail cell, Jake brutally pounds the walls whilst sorrowfully questioning his misfortune, as he sits alone crying in despair. Returning to New York City, he meets up with his estranged brother Joey in a parking lot where they share a nervous hug. Going back to the beginning sequence, Jake refers to the “I coulda’ have been a contender” scene from On the Waterfront complaining that his brother should have been there for him but is also keen enough to give himself some slack. Darting across the room at the information of the crowded auditorium by the stage hand, the camera remains pivoted on the mirror as LaMotta chants ‘I’m the boss’ whilst shadow boxing. The film ends on an ambiguous note with a biblical quote: “All I know is this: Once I was blind, and now I can see” — symbolizing that even men like LaMotta can be redeemed
Will Smith Plays Boxer Muhammad Ali
Mar 10th
Ali is a 2001 American biographical film directed by Michael Mann. The film tells the story of boxing icon Muhammad Ali (Will Smith) from 1964 to 1974 featuring his capture of the heavyweight title from Sonny Liston (Michael Bentt), his conversion to Islam, criticism of the Vietnam War, banishment from boxing, his return to fight Joe Frazier in 1971, and, lastly, his reclaiming the title from George Foreman in the Rumble in the Jungle fight of 1974.
The movie also discusses the great social and political upheaval in the United States following the assassinations of Malcolm X and Martin Luther King, Jr.
Ali opened on December 25, 2001 and grossed a total of $14.7 million in 2,446 theaters on its opening weekend. The film went on to gross a total of $87.7 million worldwide. The film holds a 68% “fresh” rating at Rotten Tomatoes.
The film had generally favorable reviews with the acting being well received by critics in general. Roger Ebert derided the film with two stars in his review for the Chicago Sun-Times, and mentioned, “it lacks much of the flash, fire and humor of Muhammad Ali and is shot more in the tone of a eulogy than a celebration” In Variety magazine, Todd McCarthy wrote, “The director’s visual and aural dapplings are strikingly effective at their best, but over the long haul don’t represent a satisfactory alternative to in-depth dramatic scenes; one longs, for example, for even one sequence in which Ali and Dundee discuss boxing strategy or assess an opponent”, but did have praise for the performances: “The cast is outstanding, from Smith, who carries the picture with consummate skill, and Voight, who is unrecognizable under all the makeup but nails Cosell’s distinctive vocal cadences”. USA Today gave the film two and half stars out of four and claimed that, “for many Ali fans, the movie may be good enough, but some perspective is in order. The documentaries A.K.A. Cassius Clay and the Oscar-winning When We Were Kings cover a lot of the same ground and are consistently more engaging”.
In the New York Times, Elvis Mitchell proclaimed Ali to be a “breakthrough” film for Mann, that it was his “first movie with feeling” and that “his overwhelming love of its subject will turn audiences into exuberant, thrilled fight crowds”. J. Hoberman, in his review for the Village Voice, felt that the “first half percolates wonderfully — and the first half hour is even better than that. Mann opens with a thrilling montage that, spinning in and out of a nightclub performance by Sam Cooke, contextualizes the hero in his times”, concluded that, “Ali’s astonishing personality is skillfully evoked but, in the end, remains a mystery.
Against the Ropes a 2004 drama movie – Directed by Charles S. Dutton
Mar 2nd
Against the Ropes is a 2004 drama movie. It was directed by Charles S. Dutton, in his motion-picture directorial debut. It is a fictionalized account of the American boxing manager Jackie Kallen, who was the first woman to become a success in the sport. Luther Shaw most likely represents James Toney, A boxer whom Kallen managed to a title despite a rocky relationship.
Against the Ropes grossed less than $6 million in the US and was panned by critics, in part because of the resemblance to nearly all the other boxing movies, such as the Rocky series. As with other such movies, its climax is a bout for the championship.
Plot
The film begins with Jackie learning the boxing game with her father and uncle in a small gym when she is just a small girl. Later, she becomes the assistant to a Cleveland boxing promoter. Jackie’s boss then begins doing business with Sam LaRocca, a sports manager, during a middleweight championship fight. After the fight, LaRocca asks Jackie what she thought of the fight. Obviously unimpressed with Jackie’s knowledge of boxing, LaRocca offers her the fight’s loser’s contract for a dollar. She goes to visit the fighter at home, only to find him addicted to drugs. Enter Luther Shaw, a small time hood, based partly on James Toney. Kallen watches in mixed horror and fascination as Shaw pummels the former middleweight champ. She offers to manage him professionally. Although Shaw is at first hesitant, he eventually signs on with Kallen. Because of LaRocca, Kallen can’t find Shaw a fight anywhere in Ohio, so the two are forced to go on the road until Shaw makes a name for himself. However, Jackie begins to get swept up in all the attention she gets for being the first female boxing promoter. Her attention eventually shifts from Shaw to her own media persona as Shaw’s number of wins continues to climb. Finally realizing that she is not paying enough attention to her only client, Kallen agrees to sell Shaw’s contract to LaRocca on the condition that he be given a championship fight. LaRocca agrees, setting Shaw up for a shot at the title before he could possibly be ready. Kallen arrives at the fight and stands in Shaw’s corner as he goes on to win the title.
Box Office
Against the Ropes opened up at #8 at the box office, grossing $3,038,546 in the opening weekend. The film was released on Feb 20,2004 to 1,601 theaters (widest release) gathering an average of $1,897 per theater. The film closed its box office run after seven weeks, gathering $5,884,190 from the domestic market and $730,090 from overseas for an international total of $6,614,280
